19 Ocak 2017 Perşembe

The Forgotten - Oğuz ATAY

Oğuz Atay (1934–1977) was a pioneer of the modern novel in Turkey. His first novel, Tutunamayanlar (The Disconnected), appeared 1971-72. Never reprinted in his lifetime and controversial among critics, it has become a best-seller since a new edition came out in 1984. He was a pioneer of the Modernism in Turkey. He has got different styles.

ANALYSIS


  The narrator is sitting in the attic. She talks her ghost ex-husband. She sees her parents photos and remember while she was child, she was aware that her parents did not love each other. So she thinks that her parents didn’t teach her real love and marriage. Her marriage is bad because her parents’ marriage was bad. Gloomy atmosphere is in every words of the story. She blames her past. Writer Oğuz Atay depicts setting so perfectly that we can visualise it.

Characters:

   Narrator is the protagonist of the story. She is a woman who lives with her past. She is middle aged and has got her second marriage. She hasn’t got a name, she is nobody.  Her ex-husband ghost and her new husband are the antogonist of the story.

Conflict:  

   External conflicts are seen here. These are woman versus herself and, reality versus illusion.    
   Woman vs. Herself: She is trying to find herself.
   Reality vs. Illision: She has a day dream in the attic.

Plot Structure:


   The Forgotten is a linear plot structure. She makes internal journey in the attic. So there isn’t any action in the story.

Setting:


   Story starts and finishes in the attic. Attic is the mind of the character. Every body has an attic.

Symbols:


   Spider symbolizes bad memories. Old photos are a vision her time travel. Attic represents psychological journey of her inner world. Old purple shoes shows depression, stress. The light changes the memories like a shift. Dusty attic explains us she is not happy in her real life, in her sub conscious. Latern is a symbol of her unconscious mind.

Poin of view:


  Story is first person narration and narrator point of view.